Description coming soon!!

Liz Kotz is a Los Angeles-based art historian and critic whose research examines diverse interdisciplinary art practices. She has long written on experimental film and video, and was involved with Artists Television Access, Cine Acciòn and the San Francisco Cinematheque in the 1980s. She is the author of Words to be Looked At: Language in 1960s Art (MIT Press, 2007), and has published essays in the catalogues X-Screen: Film Installations and Actions in the 1960s and 1970s  (Museum of Modern Art, Vienna, 2003), See This Sound: Promises in Sound and Vision (Kunstmuseum Lentos, 2009), The Anarchy of Silence: John Cage and Experimental Art (MACBA, 2009) and Max Neuhaus (Dia Art Foundation, 2009). She teaches Modern and Contemporary Art History at the University of California, Riverside, and is currently developing two projects, a collection of interviews with LA-based artists, and a book theorizing the multiple as it emerges c. 1960.